This year’s edition of the Work in Progress pitching programme will be held before a three-member international jury. The pitching is aimed at all Croatian and minority feature projects in post-production phase that are scheduled to finish within the next year. The best projects selected by the jury will receive three prizes: a prize in the amount of 6,000 EUR sponsored by Brijuni Rivijera, postproduction picture processing in the amount of 10,000 USD by the American studio Filmlab AI, and postproduction audio processing in the amount of 5,000 EUR by the Czech studio Sleepwalker. All selected finalists will be invited to participate in a preparation workshop for pitching. This year’s Festival guest Matthieu Darras, director of First Cut Lab, the leading international programme for film development, will speak about the available programmes and programmes intended for Croatian authors.
MENTOR FOR PITCHING PREPARATION: Ena Rahelić
Ena Rahelić

Ena Rahelić is the head of Industry and strategic development consultant at Mediterranean Film Festival Split/Kino Mediteran. With a background in journalism and communication science studies, she gained experience in more than 15 years of work in the media and film industry. Along with TV and radio production in Austria, she spent more than seven years working for Obala Art Centar/ Sarajevo Film Festival as manager of CineLink Industry Days, head of Operation Kino, the Dealing with the Past section, and works as distributer for the territory of former Yugoslavia. Since 2018, she has been working with Mediterranean Film Festival Split as consultant for strategic development and head of Industry. She is also producer at Digital Magic Studio for audio postproduction from Zagreb, and in 2023 she took over the position of head of Industry – Meeting Point at Vilnius International Film Festival. Since 2024 she has been a member of the selection committee Hubert Bals Fund of the International Film Festival Rotterdam.
VALLI CINEMA
WEDNESDAY, 16 JULY AT 10:00 a.m.
LANGUAGE: English
JURY: Izabela Igel, Tajana Kosor, Dorian Magagnin
Izabela Igel

Izabela Igel is a Warsaw-based film producer and graduate of EAVE and the Wajda School. She is the founder of Harine Films, focusing on discovering new voices in international cinema. Her debut feature, Floating Skyscrapers by Tomasz Wasilewski, premiered at the Tribeca Film Festival and received the East of the West Award at the Karlovy Vary International Film Festival. Her latest film, Pierce by Nelicia Low, won Best Director at Karlovy Vary IFF 2024 and Best Film at the Off Camera IFF. Additionally, Izabela serves as a trainer for various film institutions and is a member of the Polish Film Academy.
Tajana Kosor

Tajana Kosor holds a double major in Comparative Literature and Philosophy from the University of Zagreb. She began her career as a programmer for the Thessaloniki International Film Festival’s International Program before joining Heretic in early 2022. At Heretic, she leads the company’s festival distribution strategy and plays an active role in acquisitions, while also contributing to the development of projects in early production stages. Her work bridges curatorial insight with market positioning across departments. In addition, she serves as an external program advisor for the Thessaloniki International Documentary Film Festival and regularly contributes film criticism to a range of online and print publications.
Dorian Magagnin

Dorian Magagnin is Acquisitions and Festivals Manager at Cercamon, a Dubai-based international sales company. He previously worked as Acquisitions Manager for films and series at TF1. He currently represents titles such as Omaha by Cole Webley (Sundance – US Dramatic Competition), Put Your Soul on your Hand and Walk by Sepideh Farsi (Cannes – ACID), Perla by Alexandra Makarova (Rotterdam – IFFR), and The New Year That Never Came (Venice – Best Film Orizzonti). He focuses on discovering unique films driven by a strong directorial vision.
PROJECTS
MOM’S ALIVE TODAY, Josip Lukić
A film based on the director’s personal trauma in which he plays himself, while casting the best Croatian actors as his family members, medical staff and the citizens of Split, his hometown. The story follows Jakov, who abruptly returns to his hometown to take care of his mother, who suffers from schizoaffective disorder. Their bond is strong, deep, tender, but above all pathological. Jakov’s unbreakable attachment to his mother prevents him from maturing and gaining control over his own life, putting him on the verge of breaking down as well.
Josip Lukić is a director, screenwriter and actor who has made 11 shorts and documentaries. His films have received all the most important awards in the Balkans – Heart of Sarajevo for the Best Student Film, Best Balkan Newcomer in Prizren, Best Short Film at Beldocs, Best Croatian Film at Zagreb FF, Grand Prix and Best Directing at Days of Croatian Film and Special Jury Award at Doc Lisboa.
EPILOGUE, Igor Jelinović
A former couple spends a Sunday together in an empty Zagreb in the middle of summer.
Igor Jelinović (1984) is a screenwriter, director and head of the Blank Association from Zagreb.
SPACEHEAD, Marina Andree Škop, Vanda Raýmanová
Spacehead is an adventure film for children, which, despite its sensitive subject matter, is imbued with numerous comedic elements and told in a wacky, highly stylized film language. When her parents mysteriously disappear one hot summer day, Alisa seeks help from a group of neighbourhood boy detectives. The situation is further complicated by Alisa’s autistic brother Milan, who cannot be left home alone, so he joins them in the search. The children soon find a way to communicate with Milan and together they experience an adventure that brings them closer together and changes their lives forever.
Co-directors Marina Andree Škop (Croatia) and Vanda Raymanova (Slovakia) are experienced authors of audiovisual content for children, each with different professional experience – Marina in feature films, as a director, producer and editor, and Vanda in various animation projects. What unites them is a passion for visual stylization, and creation of original film stories that encourage empathy in children.
THE CRYSTAL PLANET, Arsen Anton Ostojić
The Crystal Planet is a feature science fiction 3D animated film for children in a Croatian-Czech-Slovak co-production. It is about Rea, an 11-year-old girl who moves with her father to the newly discovered Crystal Planet, where her father got a job at a factory for the production of robotic animals owned by Mordokan, the governor of the planet. By accident, Rea finds a stray cub of unknown animals that live underground and realizes that she does not have much time left to save the cute cub from the greedy Mordokan.
The author of the screenplay blueprint is the Oscar-winning director Dušan Vukotić; the screenwriters are Aleksandar Žiljak, Arsen Anton Ostojić and Brett Shumway. The film was directed by the award-winning director Arsen Anton Ostojić, and produced by production companies Filmosaurus Rex from Zagreb, Alkay Animation Prague from the Czech Republic and BFilm from Bratislava. The head of design is Stjepan Mihaljević, the editor is Lucie Haladova, and film score composers are Mate Matišić and Dalibor Grubačević.
NEW LIFE, Goran Dević
The model residential building for workers at the Sisak Ironworks, built for the anniversary of the introduction of self-government, is experiencing a radical change in the structure of its residents seventy years later. The state, as part of a European programme, moves refugees from the Middle East into the apartments of the former working class. Most of the immigrants share the fate of the children of their new neighbours and soon leave for Germany. The dynamics of arrivals and even faster departures to “Novi Život” is interrupted by a catastrophic earthquake. A new working class arrives in the building – Nepalese workers, this time on the job of demolishing a building that was slated for demolition.
Goran Dević (Sisak, 1971) is a director and screenwriter of documentary and feature films. He graduated from the Zagreb Academy of Dramatic Art, where he currently teaches. His feature documentary Pavillion 6 is the first Croatian film ever to be purchased by the BBC in 2024. He directed The Blacks (2009) and other awarded documentaries such as On the Water, The Steel Mill Café and Happy Land. His films have been screened at numerous festivals.
YUGO GOES TO AMERICA, Filip Grujić
In this road trip documentary, over the course of one summer, three people born in Serbia in the 1990s set off on a road trip to America – driving a Yugo from New York to Los Angeles. The film follows their journey through 23 states and over 10,000 kilometres, to tell the story of the export of a small socialist car to the competitive Reagan America of 1980s. Thirty-three years after the last Yugo was imported to America, the filmmakers set off on the adventure of a lifetime, fulfilling the Yugo’s bucket list.
Filip Grujić is a writer and playwright, assistant at the Department of Theatre Dramaturgy and the Faculty of Dramatic Arts in Belgrade. He is the author of the following novels: Tenant (2020) – nominated for the European Prize for Literature; shortlisted for the NIN award: The Lustful Days of Cocky Johnny (2017), And Then, All Over Again (2023) – shortlisted for the NIN award. Aleksa Borković is a director of photography and a director working in feature and documentary films. He studied Digital Arts at the Faculty of Media and Communications. He directed the short feature film Wait for Me Here, which had its world premiere at the 28th Sarajevo Film Festival.